Amp
228 Amps

Engl - Ritchie Blackmore Signature (0.5.2)

ArlingtonAudio

Engl - Ritchie Blackmore Signature (0.5.2)Engl - Ritchie Blackmore Signature (0.5.2)Engl - Ritchie Blackmore Signature (0.5.2)Engl - Ritchie Blackmore Signature (0.5.2)Engl - Ritchie Blackmore Signature (0.5.2)Engl - Ritchie Blackmore Signature (0.5.2)Engl - Ritchie Blackmore Signature (0.5.2)Engl - Ritchie Blackmore Signature (0.5.2)Engl - Ritchie Blackmore Signature (0.5.2)Engl - Ritchie Blackmore Signature (0.5.2)Engl - Ritchie Blackmore Signature (0.5.2)
Make and model

Engl - Ritchie Blackmore Signature

Description

Arlington Audio - Neural Amp Modeler pack ------------------------------------------ B = Bright Switch, C = Contour Switch 0 is off, 1 is on Engl Ritchie Blackmore Signature Edition This amp is weird but in a good way. Sort of. I guess it makes sense if you take into consideration who it was actually made for. "The Man in Black" would often use guitars in a HSS configuration. I feel like it would be fair to class the four operational modes of this amp into two categories; Single coil players and Humbucker players. Single coil players will pretty much enjoy the whole thing except for the High Gain lead channel. You can have *extremely* articulate and glassy cleans on the low gain clean setting or get some hair on the high gain clean. Low Gain lead will net you some fun mid pushed tones, it has a rock and roll type of voicing. High Gain lead will probably be quite noisy unless you're using SCN, Active or some other type of pickup that reduces hum. Humbucker players, you have two modes. Low Gain clean or High Gain lead. The other two modes react in a similar fashion to a Valvestate where if the incoming signal is too hot, the preamp section of the amp will get spitty. You could try turning the input gain down but I don't think it's worth it. In any case, the Low Gain Clean and High Gain lead channels work VERY well for humbuckers. To be honest, I found that the Low Gain clean channel rivaled the Bassman and that was a bit of a revelation. Low Gain Clean: Bass: 3.4 - Mid: 4.4 - Treble: 6.5 - Master: 6.8 High Gain Clean: (Hates humbuckers and high output pups) Bass: 6.7 - Mids: 5.2 - Treble: 7.9 - Master: 3.3 Low Gain Lead: (Hates humbuckers and high output pups) Bass: 4.3 - Mid: 5.1 - Treble: 3.6 - Presence: 7.2 - Lead Volume: 5 - Master: 3 High Gain Lead: Bass: 6.5 - Mid: 5 - Treble: 3.6 - Presence: 4 - Lead Volume: 5 - Master: 6.5 Technical details: Captures: 228 @ 1000 Epochs per capture. Amp: Engl Ritchie Blackmore Signature Edition Channels: Clean (Low/High Gain) Lead (Low/High Gain) Peak: ~3.5db (average) Load Box: Suhr Reactive Load Interface: RME Fireface UFXII Preamp: Golden Age Pre73 MKIII Reamp Box: Radial Pro RMP (Level modified) Referenced with Event Opal monitors, Sonarworks and Jens Bogren impulse responses (not included) Stuff people have requested: -10dBFS sine tone at 400Hz from DAW -> AC RMS reading of **2.15v** at the 1/4" plug after reamp box. 10^(-10/20) = 0.3162 **2.15**/0.3162 = 6.799 20log(6.799/0.775) = **18.86 dBu** If your interface has 12dBu instrument inputs: 18.86-12 = 6.86, you have to LOWER the input in NAM Plugin to -6.86 dB for the capture to sound correct. While I offer my libraries for free, donations would be appreciated and will go towards expanding this library https://paypal.me/arlingtonaudio

License

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