Amp
112 Amps

Mesa Boogie - Studio Preamp (0.5.2)

ArlingtonAudio

Mesa Boogie - Studio Preamp (0.5.2) Mesa Boogie - Studio Preamp (0.5.2) Mesa Boogie - Studio Preamp (0.5.2) Mesa Boogie - Studio Preamp (0.5.2) Mesa Boogie - Studio Preamp (0.5.2) Mesa Boogie - Studio Preamp (0.5.2) Mesa Boogie - Studio Preamp (0.5.2) Mesa Boogie - Studio Preamp (0.5.2) Mesa Boogie - Studio Preamp (0.5.2) Mesa Boogie - Studio Preamp (0.5.2) Mesa Boogie - Studio Preamp (0.5.2) Mesa Boogie - Studio Preamp (0.5.2) Mesa Boogie - Studio Preamp (0.5.2)
Make and model

Mesa Boogie - Studio Preamp

Description

Arlington Audio - Neural Amp Modeler pack ------------------------------------------ Mesa Boogie Studio Preamp KEY: B0/1 - Bright Off/On F0/1 - Fat Off/On Perhaps the strangest amp in my collection, the Studio Preamp is one of the most confusing and infuriating beasts to dial in until you get used to how it works. Then it becomes an incredible monster that sounds immense on its own. Thing is, it's designed to be used in a studio environment and that's how it was treated with this pack. Without a preamp of its own, I decided to pair it up with something awesome, the Zakk Wylde signature edition JCM800 running into the return of the FX loop. Though it sounded pretty good at this point, I figured that it was worth taking it a little further and plugging the output of the Suhr into the Avalon VT737 preamp. Typically I'd use a 1073 type pre but seeing as the power section of the Studio Pre is open ended, I felt it appropriate to sculpt my own "Dream Poweramp" to pair with it by way of a few EQ touches done in hardware. This adds up to a capture library that likely won't need any boosting unless you're utterly mad. Special thanks to Jesco for the new saner naming scheme. Technical details: Captures: 112 @ 1000 Epochs per capture. Pre Amp 1: Mesa Boogie Studio Preamp Power Amp: Marshall JCM800 Zakk Wylde Signature Edition Channels: Rhythm and Lead Modes: Rhythm Bright (on/off), Lead Bright (on/off), Lead Fat (on/off). Peak: ~3.5db (average) Load Box: Suhr Reactive Load Interface: RME Fireface UFXII Preamp 2: Avalon 737 Reamp Box: Radial Pro RMP (Level modified) Referenced with Event Opal monitors, Sonarworks and Jens Bogren impulse responses (not included) Amp Settings: Rhythm: Master Volume: 4.8 - Master: 3.2 - Treble: 6.1 - Bass: 2.9 - Mid: 4.9 EQ Settings: 80: ML - 240: 1mm Under ML - 750: Clear under ML - 2200: ML - 6600: Clear above ML Lead: Master Volume: 5.8 - Volume: 3.2 - Master: 3.9 - Treble: 10 - Bass:5 - Mid: 2 - Lead Master: 3 EQ Settings: 80: Clear above ML - 240: half under ML - 750: 1.5mm under ML - 2200: Clear under ML - 6600: Resting on ML Avalon EQ Settings: Bass: 150hz +1.9 - High Mid: 550hz -1.8 - Treble: 15k +0.5 Stuff people have requested: -10dBFS sine tone at 400Hz from DAW -> AC RMS reading of **2.15v** at the 1/4" plug after reamp box. 10^(-10/20) = 0.3162 **2.15**/0.3162 = 6.799 20log(6.799/0.775) = **18.86 dBu** If your interface has 12dBu instrument inputs: 18.86-12 = 6.86, you have to LOWER the input in NAM Plugin to -6.86 dB for the capture to sound correct. While I offer my libraries for free, donations would be appreciated and will go towards expanding this library https://paypal.me/arlingtonaudio

License

Tone Hunt:The user may download and load the data file into software, and utilize or publish the outputs from said software resulting from use of the aforementioned data file without royalty or restriction. The user may not upload, or otherwise republish, or distribute the data file without express permission from the author of the aforementioned data file.

* NAM Online is an external 3rd party service/website not related with Tonehunt. For support, please visit their website at https://thenam.online

Copyright © 2023 ToneHunt.org